for example:
at 12 midnight the sprinklers in the park
came to life, just as i was passing,
not watching where i was going, as my eyes were turned up
to the southeast tracking venus in her mid-night rising.
i checked my phone to verify the time, to prove to myself
that this world and its men are ruled by time.
it was midnight alright when they started spraying
and that hiss hit my eardrums and zinged my spinning mind.
in suddenness it showed me i was not in that time or that place,
that only my ghost could hear the sound and read the clocks.
in that moment it seemed that my ghost and you might be
in the same world at the same time and suddenly i learned
that the clock on my phone is a communicator,
that instantaneous communication is actually time travel.
and in your world of time, the rising of the sprinklers
instantly conjured every other moment we shared,
and we shared them all again, in reverse: in the moment
before, you paid the bartender using bills folded twice.
and before, you stood with your three girlfriends on the corner
of an outdoor mall after the stores were closed, but
you have already forgotten that i passed by. you never knew
it was me though the chain of my bicycle fluttered its oily links.
and before, sitting on his lap on the train, you kissed him loudly
while i sat observant, facing away, not actually thoughtful,
and out the window, i saw that 7 of the 9 second-story lofts
had been sold. but only one of the first floor lofts.
and before, i observed that the furniture in the waiting area
was massive and so real in its corduroy slipcovers.
and next to that couch, the bricks were also real, painted
in countless layers, now mostly pink but still scabby.
but next door one of the windows had been kicked in
and i felt the presence of sleeping people in the darkness.
before, i had been scared of the statue of two little girls playing
it seemed out of place on the square at almost midnight. and then
i was jarred by my connection to the lifeless, to the immortal
to all that is cast in bronze and whose patina is factory sealed.
so walking at midnight i am finally forced to admit that this poetry
is the only work i’ve felt i could actually do in the past 5 years,
that i have no power in your world except to notice and to feel
and to grind the richness of that experience into dust, into this.
at first, this seemed hopeless. but then i reframed it like this:
alone, i savor a beautiful life and leave a record of experience.
it could be worse. i could have ignored everything indefinitely
and stayed put in two places at once, fading, haunting both.